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King Kong’s reel racism
Literature,
arts and everyday entertainment also seized on the issue. It popularised its
repellent combination of sexist and racist representations. The climax was the
hugely successful classic of Hollywood’s horror factory, King Kong.
At
the time of King Kong’s production the public in the US was riveted by a rape
trial. The Scottsboro Boys were nine black teenagers
accused of having raped two young white women. In 1935 a picture story by the
Japanese artist Lin Shi Khan and the lithographer Toni Perez was published.
‘Scottsboro Alabama’ carried a foreword by Michael Gold, editor of the
communist journal New Masse.
One of the 56 images showed the group
of the accused young men beside a newspaper with the headline “Guilty Rape”.
The rest of the picture was filled with a monstrous black simian figure baring
its teeth and dragging off a helpless white girl.
The artists fully understood the
interplay of racist ideology, reactionary reporting and southern injustice.
They recognised that the white public had been thoroughly conditioned by the
dehumanising violence of animal comparisons and simianised representations, as
in the reel racism of King Kong.
Labelled
with disease
Animalisation and even
bacterialisation are widespread elements of racist dehumanisation. They are
closely related to the labelling of others with the language of contamination
and disease. Images that put men on a level with rats carrying epidemic plagues
were part of the ideological escort of anti-Jewish and anti-Chinese racism.
Africa is labelled as a contagious
continent incubating pestilences of all sorts in hot muggy jungles, spread by
reckless and sexually unrestrained people. AIDS in particular is said to have
its origin in the careless dealings of Africans with simians, which they eat or
whose blood they use as an aphrodisiac.
This is just the latest chapter in a
long and ugly line of stereotypes directed against different people like the Irish or Japanese,
and Africans in particular. To throw
bananas in front of black sportspeople is a common racist provocation even
today.
Why
are blacks abused?
What explains this disastrous
association of black people defamed as simian? A combination of factors might
be the cause.
- the prevalence of a variety of great apes in Africa, closest in size to humans. The Asian great ape population is more limited, while in the Americas one finds monkeys, but no apes;
- the extent of the aesthetic “distance” between whites and blacks, their greater degree from a white perspective of physical “otherness” (deviant not merely in skin colour and hair texture but facial features) as compared to other “nonwhite” races;
- the higher esteem generally accorded by Europeans to Asian as against African civilisations; and
- above all the psychic impact of hundreds of years of racial slavery in modernity, which stamped ‘Negroes’ as permanent sub-persons, natural slaves, in global consciousness.
Large scale chattel slavery required
reducing people to objects. Precisely because of that it also required the most
thorough and systematic kind of dehumanisation in the theorisation of that
reality.
To be continued in part 3
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